The art-science lab “(Re)imagining Regenerative Futures: How will we live together well?” invited early career researchersto share their imagination and interpretation of regenerative futures. Taking place on June 14 and 15, 2024, in Venice, Italy, it brought together young creatives and early career researchers from diverse backgrounds, demonstrating the transformative power of imagination and art to foster regeneration.
Applications for the lab consisted in the submission of a photo and narrative illustrating creative responsesto how we can (re)create our futures together. At the art-science lab participants engaged in interactive workshops connecting their creative works to universal values and co-creating a common narrative from the individual works.
This process fostered a deep respect for multiple voices, allowing diverse perspectives to flourish and contribute to a richer, more multifaceted outcome. The Lab encouraged transcending disciplinary boundaries and adopting a holistic approach to building a regenerative future.
This publication features a digital catalogue and exhibition showcasing:
• Shortlisted individual photographs and accompanying narratives, offering unique views from different parts of Europe and the world.
• The collaborative artwork and activities resulting from the Lab’s interactive sessions.
• The reflections from the Lab’s interactive sessions.
The expectations placed on sustainability researchers are very high. They are asked to deepen scientific knowledge while also fostering practical solutions and transformative change towards more regenerative ways of living. This dual responsibility can be very challenging given that the complexities associated with promoting sustained change on personal, political and systemic levels are difficult to address in most contexts. The field of sustainability transformation and regenerative futures is a quickly growing field in research and practice. It is evolving more and more into an inter and transdisciplinary field integrating many different disciplinary knowledges and other ways of knowing. Researchers are asked to collaborate across disciplines and lines of difference and bring together diverse parts of society to achieve shared understanding and collaborative action towards regeneration. Still, many institutions fail to provide continuous learning and training opportunities on transdisciplinary approaches and capacity building for researchers in the different career stages. Yet continuously developing one’s skills and competencies can be essential for academic success, personal growth, and a deep sense of meaning.
Capacity building in a changing world
Capacity building for researchers working in the fields of global social-environmental challenges, including sustainability and regeneration, needs to ac- knowledge the complexities of their research settings. It may involve providing a broad palette of competencies and inspirations. Apart from developing skills in research methodologies, technical tools, and communication, it also needs to in- volve innovative, creative, and interdisciplinary approaches that can inspire new perspectives and ideas to address such complex problems. In addition, such capacity building needs to be tailored to the specific needs, challenges, and goals that researchers have at different stages of their career.
This publication features the capacity building activities developed and promoted by Working Group 3 of the shift Cost Action, in the first two years of the Action, 2023-2024
COST Action Shift – Social Sciences and Humanities for Transformation and Climate Resilience aims to deepen our under- standing of practices involved in ‘doing transformation’ and to explore the role of transdisciplinary Social Sciences and Humanities in these emerging and evolving spaces. It fosters creative, future-oriented and tangible solutions to address the challenge of accelerating change in an inclusive and responsible manner. SHiFT brings together researchers and practitioners from different disciplines creating spaces for transdisciplinary networks and research in order to harness the potential of engaging with transformation and regeneration across different social, political, economic and environmental contexts.
Working Group 3—Creative 09 Practices, Arts and Outreach is led by Julia Bentz and Jelena Ristić Trajković. This working group is dedicated to exploring the arts outside conventional parameters of communication and outreach through traditional exhibitions and displays, but as a generator for knowledge production, climate action, and regenerative change.
Have you ever wondered how cities will adapt to climate change and related challenges? Do your imaginings take a dystopian or utopian view? How do you imagine a city that you would LOVE to live in?
This book is meant to take you on a journey – an odyssey. It is an invitation to reflect, explore and reimagine the city through different lenses. Cities are tapestries of culture, science, art, history, diversity and innovation. At the same time, cities are hotspots of resource consumption, air pollution and greenhouse gas emissions. Yet, cities often are pioneers of more sustainable and equitable ways of living, while addressing air pollution, waste, mobility, housing and climate in a far more effective way than countries or provinces. For the world to thrive, cities are likely to be drivers of change towards regenerative living and being. They were once the birth of civilization. How can they be testing grounds for innovating and reimagining the urban space? What might a regenerative city look like and feel like? How do we harness the creative potential of cities to achieve regenerative futures for our planet?
This book is coauthored by the participants of the international summer school on “Urban Imaginary – Exploring our urban futures” and highlights the creative co-learning process, or odyssey, of the event. Hosted under COST action SHiFT – Social Sciences and Humanities for Transformation and Climate Resilience, the 5-day course took place in the National Museum of Science and Natural History and the Botanical Garden of Lisbon, Portugal, 3-7 July 2023. The summer school was conceptualized as a learning space that engaged cognitive and embodied knowledge and that nurtured both body and mind in a simultaneous and synergistic way. With a total of 48 trainers and participants of diverse disciplinary backgrounds coming from 20 countries (Europe and elsewhere), the summer school applied a transdisciplinary approach that allowed the trainers and participants to navigate between the many polarities, contradictions, and challenges around life in cities and to explore new, regenerative imaginaries of the future.
Have you ever wondered how cities will adapt to climate change and related challenges? Do your imaginings take a dystopian or utopian view? How do you imagine a city that you would LOVE to live in?
Cities are tapestries of culture, science, art, history, diversity and innovation. At the same time, cities are hotspots of resource consumption, air pollution and greenhouse gas emissions. Yet, cities often are pioneers of more sustainable and equitable ways of living, while addressing air pollution, waste, mobility, housing and climate in a far more effective way than countries or provinces. For the world to thrive, cities are likely to be drivers of change towards regenerative living and being. They were once the birth of civilization. How can they be testing grounds for innovating and reimagining the urban space? What might a regenerative city look like and feel like? How do we harness the creative potential of cities to achieve regenerative futures for our planet?
Starting in January 2023 I led the conceptualisation and organisation of a transdisciplinary summer school on urban futures. The core idea was to invite participants to reflect, explore and reimagine the city through different lenses.
The International summer school “Urban Imaginary – Exploring our urban futures”, hosted under COST action SHiFT – Social Sciences and Humanities for Transformation and Climate Resilience, was a 5-day course that took place in the National Museum of Science and Natural History and the Botanical Garden of Lisbon, Portugal, 3-7 July 2023. The summer school was conceptualized as a learning space that engaged cognitive and embodied knowledge and that nurtured both body and mind in a simultaneous and synergistic way. With a total of 48 trainers and participants of diverse disciplinary backgrounds coming from 20 countries (Europe and elsewhere), the summer school applied a transdisciplinary approach that allowed the trainers and participants to navigate between the many polarities, contradictions, and challenges around life in cities and to explore new, regenerative imaginaries of the future.
The summer school involved theoretical lectures, interactive sessions, and guided tours and integrated embodied and experiential learning sessions throughout the course. The lectures, as well as the embodied parts of the program, were following and informing the overall theme of URBAN IMAGINARIES with the aim to offer alternative perspectives and inspire participants. The chosen transdisciplinary art-science approach aimed to provide learners with a felt experience and conceptual understanding of transdisciplinarity and how to explore a real-world problem through a holistic approach.
The summer school program involved creative exploratory methods such as futures thinking and emerging concepts, including kinship with the non-human world and nature-based solutions. It provided spaces to learn and explore urban futures through the senses as the senses offer a way to tap into embodied knowledge. To ground imaginations in spatial reality as well as bring forth practical future visions, time travelers were guided through Lisbon city focusing on auditory, visual, or taste and smell senses.
To tap into embodied knowledge and body wisdom, every morning, the course started with an embodiment session in the Botanical Garden. Participants were invited to engage in movement exercises informed by Interplay, a play-based, dance-based movement practice. Beginning with exercises, such as walking, stopping, and running, becoming aware of the space around oneself, each day the movement exercises became more complex. A hand dance and individual movements grew into a group dance on behalf of a poem. With each day participants became more expressive in their movements, in tune and connected with other participants and the natural elements, seemingly moving more and more together as a whole.
On the last day, participants presented their regenerative urban design proposals for different locations in Lisbon in groups. The presentations involved performances, storytelling, poems, design approaches and visual art and centered around the principles and values of kincentric futures, wellbeing, care, community, utopias, transformation and heritage. Coming from very diverse backgrounds in terms of disciplines and geographical background the participants had brought different forms of knowledge and experience to their working groups.
This book shows how creative methods involving stories and art can help educators to address the challenging topics of climate change and peace via new channels that inspire their learners and underline the role of each individual, with their specific talents and worldviews, in engaging with the crucial questions of this generation. Where climate change and human conflict meet, there is a particular potential for approaches beyond language and traditional classroom methods to offer students new channels of engagement. This book explains the reasons behind this and offers examples of such new channels in an inspirational resource for educators.
This book has been a project very close to my heart that has given me great joy during the development and writing process. It is a guide for educators and everyone who wants to learn more about creative approaches to climate change and peace education. It is a hopeful book, cultivating the kind of learning that can prepare us to be hopeful climate and social justice educators and activists
This book is the result of collective efforts. I want to acknowledge the work of the the editors Marte Skaara and Wendy Anne Kopisch; the storytellers Janna Articus, Michael Chew, Burcu Eke Schneider, Dimitrios Gkotzos, Marina Kalashyan, Anna Malavisi, Munir Moosa Sadruddin, Aditi Pathak and Stefanie Vochatzer; the artists Anirudh Kadav, Burcu Koleli, Carolina Altavilla, Luise Hesse, Hazim Asif, Neethi and Harutyun Tamaghyan; and the graphic designer Stefanie Bendfeldt. Thank you all so much for a lovely collaboration
Over the last two years I led the Edition of a Special Feature of the journal Sustainability Science on “The ‘How’ of Transformation – Integrated Approaches to Sustainability“! This Special Feature was first envisioned at an international symposium organized by the AdaptationConnects University of Oslo research project in 2019. In it, the editors and the authors provide diverse and integrative perspectives on how to move beyond “blah blah blah” and work deliberately to generate transformation.
The editorial of this Special Feature entitled “Beyond the blah blah blah: exploring the how of transformation” (Bentz et al. 2022) gives an overview on the 15 articles of this Special Feature and argues for integrative approaches to sustainability transformations that integrate both the means and the manner of transformation.
Back in 2017 and 2018 I interviewed artists and knowledge keepers in Canada BC about the power and potential of art and story in contributing to equitable and sustainable transformations. Back home I shared my experiences with my two colleagues Irmelin Gram-Hanssen and Nicole Schafenacker and we saw there were commonalities with their research but also open questions that we wanted to explore together.
Below you find the result of this exploration with them. This article was just published with the title “Decolonizing transformations through ‘right relations’”. It is part of a special Feature: On the ‘How’ of transformation: Integrative approaches to Sustainability. You can access it with the following link: https://link.springer.com/content/pdf/10.1007/s11625-021-00960-9.pdf.
In it we highlight the intimate connections between climate change and colonization and argue that decolonization will be an integral part of equitable and just transformations toward sustainability. We engage with the idea of ‘right relations’ as a way of decolonizing transformations research and practice and offer four characteristics for transformations researchers to embody: listening deeply, self-reflexivity, creating space and being in action. While we acknowledge the acute need for decolonizing relations between Indigenous and non-Indigenous peoples and societies in particular, we extent the idea of ‘right relations’ to all people and all places in an effort to co-create a decolonized humanity.
I am so very thankful and grateful for the insights I received to how we might engage in sustainable and equitable transformations.
Being part of the Organising Committee of the European Climate Change Adaptation Conference 2019, which took place 28-30 May in Lisbon, one of my tasks was to involve youth in the conference. I produced a video with young people and with my sister Johanna Bentz.
The idea was to meaningfully and creatively engage young people and give them a voice to express themselves about climate change and possible responses. The video was co-produced with and about young people and their views on climate change. Students of Antonio Arroio Art High School and St. Julian’s School, Lisbon were interviewed about their perceptions of climate change responses. The film project aims to raise awareness and climate change engagement. The video was displayed for the first time in the Closing Plenary of ECCA and is currently being distributed in social media.
Worldwide, there are few young people participating in public decisions around climate change. These same young people are disproportionately affected by disasters and climate change hazards: they have limited voices in the decisions and policies related to disaster risk reduction, climate change adaptation, and community resilience despite calls for their empowerment as important stakeholders in these issues. In addition, young people will grow to fill leadership roles in decision-making organisations, while inheriting the consequences of climate change, policies and actions that are co-constructed today. Actively engaging and empowering children and young people to address the complex problems of climate change is a critical step to achieving resilience at local, regional, and national levels.
ART FOR ADAPTATION 
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