Urban Imaginary – a transdisciplinary summer school exploring our urban futures

Have you ever wondered how cities will adapt to climate change and related challenges? Do your imaginings take a dystopian or utopian view? How do you imagine a city that you would LOVE to live in?  

Cities are tapestries of culture, science, art, history, diversity and innovation. At the same time, cities are hotspots of resource consumption, air pollution and greenhouse gas emissions. Yet, cities often are pioneers of more sustainable and equitable ways of living, while addressing air pollution, waste, mobility, housing and climate in a far more effective way than countries or provinces. For the world to thrive, cities are likely to be drivers of change towards regenerative living and being. They were once the birth of civilization. How can they be testing grounds for innovating and reimagining the urban space? What might a regenerative city look like and feel like? How do we harness the creative potential of cities to achieve regenerative futures for our planet?  

Starting in January 2023 I led the conceptualisation and organisation of a transdisciplinary summer school on urban futures. The core idea was to invite participants to reflect, explore and reimagine the city through different lenses.

The International summer school “Urban Imaginary – Exploring our urban futures”, hosted under COST action SHiFT – Social Sciences and Humanities for Transformation and Climate Resilience, was a 5-day course that took place in the National Museum of Science and Natural History and the Botanical Garden of Lisbon, Portugal, 3-7 July 2023. The summer school was conceptualized as a learning space that engaged cognitive and embodied knowledge and that nurtured both body and mind in a simultaneous and synergistic way. With a total of 48 trainers and participants of diverse disciplinary backgrounds coming from 20 countries (Europe and elsewhere), the summer school applied a transdisciplinary approach that allowed the trainers and participants to navigate between the many polarities, contradictions, and challenges around life in cities and to explore new, regenerative imaginaries of the future.

The summer school involved theoretical lectures, interactive sessions, and guided tours and integrated embodied and experiential learning sessions throughout the course. The lectures, as well as the embodied parts of the program, were following and informing the overall theme of URBAN IMAGINARIES with the aim to offer alternative perspectives and inspire participants. The chosen transdisciplinary art-science approach aimed to provide learners with a felt experience and conceptual understanding of transdisciplinarity and how to explore a real-world problem through a holistic approach.

The summer school program involved creative exploratory methods such as futures thinking and emerging concepts, including kinship with the non-human world and nature-based solutions. It provided spaces to learn and explore urban futures through the senses as the senses offer a way to tap into embodied knowledge. To ground imaginations in spatial reality as well as bring forth practical future visions, time travelers were guided through Lisbon city focusing on auditory, visual, or taste and smell senses. 

To tap into embodied knowledge and body wisdom, every morning, the course started with an embodiment session in the Botanical Garden. Participants were invited to engage in movement exercises informed by Interplay, a play-based, dance-based movement practice. Beginning with exercises, such as walking, stopping, and running, becoming aware of the space around oneself, each day the movement exercises became more complex. A hand dance and individual movements grew into a group dance on behalf of a poem. With each day participants became more expressive in their movements, in tune and connected with other participants and the natural elements, seemingly moving more and more together as a whole.

On the last day, participants presented their regenerative urban design proposals for different locations in Lisbon in groups. The presentations involved performances, storytelling, poems, design approaches and visual art and centered around the principles and values of kincentric futures, wellbeing, care, community, utopias, transformation and heritage. Coming from very diverse backgrounds in terms of disciplines and geographical background the participants had brought different forms of knowledge and experience to their working groups.

Julia Bentz

Photos by Bram Goots

Open access book published!

This book shows how creative methods involving stories and art can help educators to address the challenging topics of climate change and peace via new channels that inspire their learners and underline the role of each individual, with their specific talents and worldviews, in engaging with the crucial questions of this generation. Where climate change and human conflict meet, there is a particular potential for approaches beyond language and traditional classroom methods to offer students new channels of engagement. This book explains the reasons behind this and offers examples of such new channels in an inspirational resource for educators.

Free download here

This book has been a project very close to my heart that has given me great joy during the development and writing process. It is a guide for educators and everyone who wants to learn more about creative approaches to climate change and peace education. It is a hopeful book, cultivating the kind of learning that can prepare us to be hopeful climate and social justice educators and activists

This book is the result of collective efforts. I want to acknowledge the work of the the editors Marte Skaara and Wendy Anne Kopisch; the storytellers Janna Articus, Michael Chew, Burcu Eke Schneider, Dimitrios Gkotzos, Marina Kalashyan, Anna Malavisi, Munir Moosa Sadruddin, Aditi Pathak and Stefanie Vochatzer; the artists Anirudh Kadav, Burcu Koleli, Carolina Altavilla, Luise Hesse, Hazim Asif, Neethi and Harutyun Tamaghyan; and the graphic designer Stefanie Bendfeldt. Thank you all so much for a lovely collaboration 

4 ways of co-creating right relations

Learn more about how to undo the colonial relations at the root of the climate crisis through deep listening, self-reflexivity, creating space, and being in action.

Climate change is both a form and product of colonization. To co-create sustainable futures, we must work to undo the colonial relations at the root of climate change. As those benefiting from colonial relationships, white people have a distinct responsibility to contribute toward building ‘right relations’ with Indigenous people.

We offer an entry-point for how non-Indigenous folks, and especially white people, can engage actively in decolonization. Embodying ‘right relations’ is an active and long-term commitment to decolonize yourself and the world. This work is therefore a continuous process of becoming with no end point.

“‘Right relations’ draws on the Indigenous notion of ‘all my relations’ and is a way of being that is grounded in respectful reciprocity with all of creation.”

While the idea of ‘right relations’ comes from Indigenous thinking and activism, these ways of being are relevant to all relationships, not least with other groups that are often marginalized, such as Black people and People of Color.

About the authors and their reserach: Irmelin Gram-Hanssen, Nicole Schafenacker & Julia Bentz, a group of non-Indigenous sustainability researchers working with Indigenous communities across the northwestern parts of Turtle Island (Alaska, British Columbia and Alberta). They offer four ways to create ‘right relations’ based on their open-access article “Decolonizing transformations through ‘right relations’” published in the journal Sustainability Science. This research and outreach is part of the AdaptationCONNECTS project, funded by the Research Council of Norway (Project 250434)

About the artist: Theda Mimilaki (@theda_mimilaki) is an illustrator living in Athens, Greece. She loves drawing humans and animals in natural and surreal environments. Theda values respect for nature, diversity and all beings.

Engaging actively in decolonization

Embodying ‘right relations’ both involves the ‘inner work’ of deep listening and self-reflexivity, as well as the ‘outer work’ of creating space and being in action to actively contribute to the dismantling of colonial systems and relations.

1 Deep Listening

Embodying ‘right relations’ means repairing colonial relationships. Deep listening and present, felt, engagement are being called for as practices to build capacity for ‘right relations’.

‘Non-actions’ of bearing witness and listening deeply make space for Indigenous voices to be centered and for the weight of their experiences to truly be received by the listener.

Deep listening is different from active listening in that it goes beyond listening to the words spoken; it enters into an engagement with Indigenous paradigms, and ways of knowing and understanding the world, in a meaningful effort to think, feel, and act differently.

Rather than attempting to evaluate and translate Indigenous paradigms based on Western understandings of knowledge, an alternative is to truly relate to and learn from them. Deep listening can provide a means of doing so.

2 Self-reflexivity

It is necessary to confront and disrupt mythologies of colonial benevolence and to meaningfully engage as listeners willing to be affected by the truth-telling of Indigenous peoples, Paulette Regan asserts in her book “Unsettling the Settler Within” about Indian Residential Schools, Truth Telling, and Reconciliation in Canada. This involves critically reflecting on Euro-Western hierarchical belief systems, including the emphasis on individualism.

Being reflexive about which stories we tell individually and as a culture can also be a response to the call for accountability. The act of telling or receiving a story can extend itself into fostering new enactments and ways of being. When coupling deep listening with self-reflexivity, stories can inspire action.

3 Creating Space

Creating space is not only about making room for Indigenous voices in one’s own work, but rather using one’s position to create space for the people behind the stories and voices to step forward.

Often the labor of raising awareness about marginalization and oppression falls on those who are experiencing it. Therefore, amplifying the voices and stories of marginalized peoples, as well as the particular knowledge systems underpinning them, can be one way of creating space and engaging in right relations — recognizing that making space for others implies giving up some of the space we currently hold.

In a more collaborative vein, space can also be created through transcultural learning via art, story and activism where Indigenous and non-Indigenous peoples can share knowledge and imaginaries of a decolonized reality. Related to this, the act of sharing a story itself is a means of creating space.

By centering and amplifying Indigenous voices and acknowledging Indigenous language and metaphors we open ourselves to deeper knowledge of our world and contribute toward dismantling the current colonial relations.

4. Being in action

By responding to the call for members of the dominant group to educate ourselves on structural injustice produced by colonization we open space for personal agency in helping to enact decolonial change. Non-Indigenous people may work to embody ‘right relations’ by fostering relationships within our communities that allow for healthier connections, generative dialogue and teaching/learning practices on inequity and systematic oppressions so that we may collectively work towards a decolonized humanity.

Practices such as land stewardship and the experiential learning of frontline activism are ways of being in action. Many traditional territories across Turtle Island have become sites of decolonial activism in the face of extractive industry. The act of bearing witness to a struggle or more directly, placing one’s body within sites of struggle in solidarity, may enact change on a material level.

These sites have the potential to become spaces where ‘right relations’ are formed and decolonial ways of creating community can begin to be enacted, however imperfectly. In short, presence matters in affecting transformative change.

As many Indigenous scholars and knowledge holders have asserted, decolonization is not just a perspective or a metaphor that informs theory, but is deeply unsettling and requires an active repair of ‘right relations’.

Resources for further learning

This is a selection of specifically relevant sources from the open-access article “Decolonizing transformations through ‘right relations’”. You can find more resources by accessing the article.

Specifically for aspiring allies

On colonization and climate change

Other writing on decolonization and Indigenization

Specifically for researchers and educators in academia

Special Feature edited on the “How” of transformation

Act now! But act how? 

Over the last two years I led the Edition of a Special Feature of the journal Sustainability Science on “The ‘How’ of Transformation – Integrated Approaches to Sustainability“! This Special Feature was first envisioned at an international symposium organized by the AdaptationConnects University of Oslo research project in 2019. In it, the editors and the authors provide diverse and integrative perspectives on how to move beyond “blah blah blah” and work deliberately to generate transformation. 

Check out this Special Feature

The editorial of this Special Feature entitled “Beyond the blah blah blah: exploring the how of transformation” (Bentz et al. 2022) gives an overview on the 15 articles of this Special Feature and argues for integrative approaches to sustainability transformations that integrate both the means and the manner of transformation.

Find out more and read the Editorial

Learning through the body about sustainability transformations: article published

Research is emphasizing more and more the importance of connecting disparate ways of knowing, including scientific, artistic, embodied and local knowledges to better understand environmental change and to foster community resilience and engagement. This paper argues for an integrative approach to sustainability transformations, one that reconnects body and mind, that fuses art and science and that integrates diverse forms of knowledge in an open, collaborative and creative way.

This article published in Sustainability Science draws on the experience of an arts-based project in Lisbon, Portugal, and explores embodied and performative practices and their potential for climate change transformations. It puts forward and enlivens an example, where such forms of engaging communities can provide new insight into how equitable, just and sustainable transformations can come about.

Link to open access article

Decolonizing transformations through ‘right relations’

Back in 2017 and 2018 I interviewed artists and knowledge keepers in Canada BC about the power and potential of art and story in contributing to equitable and sustainable transformations. Back home I shared my experiences with my two colleagues Irmelin Gram-Hanssen and Nicole Schafenacker and we saw there were commonalities with their research but also open questions that we wanted to explore together. 

Below you find the result of this exploration with them. This article was just published with the title “Decolonizing transformations through ‘right relations’”. It is part of a special Feature: On the ‘How’ of transformation: Integrative approaches to Sustainability. You can access it with the following link: https://link.springer.com/content/pdf/10.1007/s11625-021-00960-9.pdf.

In it we highlight the intimate connections between climate change and colonization and argue that decolonization will be an integral part of equitable and just transformations toward sustainability. We engage with the idea of ‘right relations’ as a way of decolonizing transformations research and practice and offer four characteristics for transformations researchers to embody: listening deeply, self-reflexivity, creating space and being in action. While we acknowledge the acute need for decolonizing relations between Indigenous and non-Indigenous peoples and societies in particular, we extent the idea of ‘right relations’ to all people and all places in an effort to co-create a decolonized humanity.

I am so very thankful and grateful for the insights I received to how we might engage in sustainable and equitable transformations. 

Cyanotype and storytelling

Workshop

In this workshop, participants create an image/story for an imaginary museum of sustainability. The image/story creation involves creative writing and cyanotype photographic printing.

IMG_5990

This workshop explores the transformative potential of art through challenging current thinking on climate change and presenting new ways of approaching it. Participants embark on an imaginary journey to the future and use creative-artistic practices to develop alternative narratives (image/story) and share insights. Participants learn in a playful way about the topic of climate change as well as about the of artistic practices. Creative writing techniques and cyanotype printing elicit the image/story.

IMG_5997

Cyanotype is a simple photographic printing process that produces a cyan-blue prints. Discovered in 1842 by the English scientist and astronomer Sir John Herschel, it was used for reproducing notes and diagrams, and for documenting plant life. In this workshop we use cyanotype prints to illustrate core values and messages for present generations imagined and gathered and on a journey to the future.

Make a difference by singing

We are living in times of complex and global challenges, such as environmental degradation, conflicts, migrations of millions of refugees or climate change. Addressing these complexities requires new ways of thinking, creating and acting.

Music is a universal language and a powerful form of expression. Music affects us on a level beyond the rational, touching on emotions, perspectives and values. Singing in a group creates a sense of community and contributes to physical, emotional and spiritual well-being. But above all singing is a birthright and everyone knows how to sing

Ubuntu Choirs

Ubuntu, a Zulu word means “I am because we are”. This concept calls for empathy for others, creating community and valuing diversity. Ubuntu means that our potential is reached in relationships with others.
Ubuntu choirs are inclusive (open to everyone), do not audition (all voices are welcome, under the right conditions everyone can sing in tune and in harmony) are focused on creating community (rather than focused on concert acting ) and get involved in social projects (e.g. through fundraising).

Between November 2018 and February 2020 I offered a free weekly Ubuntu choir in Penha de Fraça, Lisbon.

Below is a video of an ad-hoc choir that I taught this Hawaiian earth blessing song called “E malama” by Bryan Kessler, harmonized by Nickomo.